"We know no spectacle so ridiculous," wrote Macaulay about the vilification of Lord Byron, "as the British public in one of its periodical fits of morality." Change the word "ridiculous" to "contemptible," and the words "British public" to "American press," and you have some sense of the eagerness for prurience, the readiness for slander, and the utter want of fact-checking that have characterized Paul Wolfowitz and Shaha Riza as if they were not only the equivalent of Byron seducing his half-sister, but as if they were financing their shameless lasciviousness out of the public purse and the begging bowls of the wretched of the earth.
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